By Miles Smith on Dec 06, 2019 09:59 pm
Russia’s nineteenth-century literary luminaries all found themselves wrestling with a particularly Romantic archetype: the Superfluous Man. Bored, confused, dissolute, yet noble and aristocratic, the Superfluous Man experiences tragedy in his reckless pursuit of passion. And I can’t help but wonder whether there is any hope for these characters—both the Russians in the novels, and ...
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